As poéticas e políticas do Teatro do Oprimido e decolonialidade de gênero nos caminhos de ser mais

• Ano de defesa: 2021
• Autor(a) principal: Salgado, Katiuska Tereza Azambuja
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Mato Grosso; Brasil; Faculdade de Comunicação e Artes (FCA); UFMT CUC - Cuiabá; Programa de Pós-Graduação em Estudos de Cultura Contemporânea
• Palavras-chave em Português: Teatro do oprimido; Decolonialidade; Gênero; CNPQ::LINGUISTICA, LETRAS E ARTES; Theater of the oppressed; Decoloniality; Gender
• Link de acesso: http://ri.ufmt.br/handle/1/3480

The Modermity/Coloniality Project 1s a myth that breeds naturalized fictions and patriarchal wounds, tearing the community fabric where 1t 1s established. This research investigates the poetic and political powers of the Theater of the Oppressed in the decoloniality of gender, with students from MT Escola de Teatro e do Coletivo Cena Livre, fsom online theatrical games, resulting in performances by Theater of the Oppressed. The procedures used in this research-intervention are Cartography. therefore. works with the monitoring of processes. At the end of the experiment, semi-structured interviews are conducted with each participant, for further reflection. The results point to the importance of forums on naturalized fictions of gender and race. the patriarchal wounds of the modem colonial world-system in the daily lives of young people, about the interiorization of oppressors, about experiences of shared oppression, the powers of another view that sees men as human beings, the protagonism of self and ascetism, tests of breaking oppression, the relevance of disobedience to the prototypical male gender, the understanding of machismo being a structure that steals female / feminized bodies, the relevance of ancestral knowledge, and the importance of theatrical poetic creation.