A caixa-clara na bateria: estudo de caso de performances dos bateristas Zé Eduardo Nazário e Márcio Bahia

• Ano de defesa: 2011
• Autor(a) principal: Tarcisio Braga
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Música; Musica
• Link de acesso: http://hdl.handle.net/1843/AAGS-8QZNDY

This research aims to broaden the existent snare drum literature, specifically concerning its performance as part of the drum-set. The analysis presented is based on performance styles in which the snare drum functions as an indispensable structural element. These styles include those in the realms of military and orchestral music as well as some Brazilian traditional musical forms such as: samba de escola de samba, frevo and bandas de pífanos. From among many possible technical elements of snare drum performance, rolls and accent patterns were chosen as the main focus for analysis. These elements were demonstrated on the drum-set in performances by drummers Zé Eduardo Nazário (in the recording of Frevo suite, by Egberto Gismonti) and Marcio Bahia (in Mestre Radamés, by Hermeto Pascoal).