O lugar da mulher na Ciranda de Pedra: um estudo sobre a representação feminina no romance de Lygia Fagundes Telles

• Ano de defesa: 2022
• Autor(a) principal: Amanda Damasceno Batista
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; FALE - FACULDADE DE LETRAS; Programa de Pós-Graduação em Estudos Literários; UFMG
• Palavras-chave em Português: Ciranda de Pedra; Escrita de autoria feminina; Representação feminina; Lygia Fagundes Telles; Female-authored writing; Female representation; Telles, Lygia Fagundes, 1923- – Ciranda de Pedra – Crítica e interpretação; Mulheres na literatura; Ficção brasileira – História e crítica
• Link de acesso: http://hdl.handle.net/1843/44453; https://orcid.org/ 0000-0001-7156-7491

This dissertation analyzes the romance Ciranda de Pedra, by Lygia Fagundes Telles, through the perspective of the relationship between the work and the historical and sociological context of the time, especially with regards to women’s space. It also discusses how female authorship impacts the construction of the novel and its specificities when compared to male writing. The novel’s technical aspects were discussed through authors such as Ligia Chiappini Leite and Alfredo Leme Carvalho. Reviews made by Carlos Drummond de Andrade, Alfredo Bosi, and Antonio Candido were used to analyze the book. Besides, the works of Elza Berquó and Carla Pinsky were used for understanding the relationship between the narrative and what was happening in the country at the time of the novel’s release. This dissertation also presents the particularities of women’s writing and especially Lygia’s writing, based on her testimonies. This was done through the study of female literature by several authors, mainly by Regina Dalcastagné. In this way, this study explores why the work was written as it was, which includes the fact that the author is a woman who writes about women.