Lembrar para esquecer: Transitoriedade e criação

• Ano de defesa: 2008
• Autor(a) principal: Claudia Tamm Renault
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Arte Povera; Carlos Oswald; Dadaismo; Tempo e psicanálise; Arte contemporânea; Arte moderna Séc XXI; Memória e psicanálise; Memória na arte; Arte moderna Sec XX; Tempo na arte; Artes; Renault, Claudia Tamm, 1952- Narrativas pessoais
• Link de acesso: http://hdl.handle.net/1843/JSSS-7WKG3Z

This text is the result of a research I´ve been developing since August 2006 and having as object of study a survey into the roots of my artistic practicing. I am looking for a theoretical scrutiny concerning the main aspects that involve my creative process, as it is: time, oblivion and memory. In order to unfold and expand these questions, I have searched the work of some artists as well as some areas of Art History, emphasizing the Dadaism and the Art Povera movements. I have used of some pychoanalitical concepts which allow methodological tools in the investigation of these questions which are so recurrent in my works of art.