Movimento na composição musical: uma abordagem à luz do pensamento de Paul Klee e Gilles Deleuze

• Ano de defesa: 2012
• Autor(a) principal: Sergio Rodrigo Ribeiro Lacerda
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Relações entre artes; Captura de forças; Composição; Movimento; Deleuze, Gilles, 1925-1995; Musica; Klee, Paul, 1879-1940; Composição (Música)
• Link de acesso: http://hdl.handle.net/1843/AAGS-93SGYM

The composer, in speaking of his own compositional process, confronts a series of challenges. Constantly there is the threat of the intellectual and technical approach not attains the wealth experienced at a creative process. This work seeks position itself face these challenges, relating musical creation and reflection from a multidisciplinary perspective that considers both the technical aspects as poetic aspects involved in artistic creation. Reflections of Deleuze and Klee on artistic creation establish a theoretical framework from which a set of six works of the author, written between 2010 and 2012, are discussed. The discussion will be focused on the concept capture of forces.