Binômio arte/vida na arte da performance e a relação sujeito/usura em A plebe do crediário
Ano de defesa: | 2011 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Minas Gerais
UFMG |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://hdl.handle.net/1843/JSSS-97NPKD |
Resumo: | This research is aimed at studying performance art with the purpose of pointing out and analyzing properties pertaining to its language that relate to the binomial art/life. From this perspective, the concept of performance art and the major characteristics in its emergence as a figure of artistic expression was explored. A hybrid approach of study was adopted, merging theories and practices together with this dissertation, ultimatelyleading to the performance of A Plebe Crediário. This performance, inspired by Oswald de Andrades O Rei da Vela, drawing inspiration from the consumer history of this researcher, with a critical focus on his particular situation as a consumer/debtor, examined the binomial relationship between art and life based on the everyday, autobiographical, political and social aspects present and the historical context in awork of art. |