Fabulações: espaço e produção de diferença

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Simone Parrela Tostes
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Brasil
IGC - DEPARTAMENTO DE GEOGRAFIA
Programa de Pós-Graduação em Geografia
UFMG
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/1843/39393
Resumo: This thesis aims to address the connections between space, subjectivity and creation of the new. Space and subjectivity are thought in their mutual interactions and in connection with the the chaotic field of heterogeneous forces. The theoretical task of the thesis is a production of senses capable of producing difference and singularity in relation to the production of space and ways of life in the capitalism. The questioning, procedure that allows destabilize homogeneous settings, weaves an alliance with fable, taken here in its ethical dimension, policy and creation exercise aesthetics that allows joint practices and unique procedures in connection with the smaller space becomings. The thesis route is done in dialogue with scholars who have the space within the focus of their approaches, especially Milton Santos and Henri Léfèbvre, and with thinkers chosen by questioning who undertake the ways of thinking. Especially Gilles Deleuze and Felix Guattari with the concepts of fable, cartography, micropolitics, difference, becoming and production and subjectivity processes; Michel Foucault with the concepts of genealogy and subject; Michel de Certeau with deviant practices; Maurice Blanchot, Anne Cauquelin; Marcio Sales with caosmofagia and also Maurizio Lazzarato, Michael Hardt and Antonio Negri, Regina Benevides and Eduardo Passos, among others. The thesis is developed in four parts (writing, theory, subjectivity and place-world) interspersed with five fables (house under renovation, classroom, street movements, a tower, mini atlas of space-worlds). Between these two series there is no explanation but variation and difference that allow problematizations to cross and connect in new arrangements and new meanings.