O compositor Stanley Kubrick: análise do som no filme De olhos bem fechados de Stanley Kubrick através da teoria sonora de Michel Chion

• Ano de defesa: 2008
• Autor(a) principal: Marcio Cardoso Marcolino
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Michel Chion; Filme; Stanley Kubrick; Compositor; Música de cinema; Kubrick, Stanley, 1928-1999; Artes; Som Registro e reprodução; Chion, Michel, 1947-; Cinema
• Link de acesso: http://hdl.handle.net/1843/JSSS-8ZFPVQ

This present work proposes the analisys of the film Eyes wide shut (1999) of Stanley Kubrick under the aspect of the intersection of the sound and image languages beyond the categories of sound theory´s Michel Chion. The sound context of film suggest a specific analysis in parallel with the filmic narrative of Kubrick, pointing him like a composer of soundtrack, increasing sound, giving it meaning in front of images.The way adopted came with the sound plans graphic plans of film sequences, showing on time, music, sound effects and voice to study the form like the director use sound like a semantic tool.