O incêndio das imagens: arte e violência de Estado na América do Sul

• Ano de defesa: 2022
• Autor(a) principal: Mônica Vaz da Costa
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; EBA - ESCOLA DE BELAS ARTES; Programa de Pós-Graduação em Artes; UFMG
• Palavras-chave em Português: Arte e violência; Conflitos políticos; Memória; Testemunho; Antimonumento; Arte - Aspectos políticos - América do Sul - História e crítica; Arte e fotografia; Fotografia; Memória na arte; Violência - América do Sul
• Link de acesso: http://hdl.handle.net/1843/48357

This thesis aims to investigate images that represent political violence, produced by South American artists since 1980, a period that coincides with the end of dictatorial regimes and with the sequent processes of redemocratization and economic opening in some countries in the region. The violence of the images presented in this investigation does not rest upon its visible aspect, but upon what is behind, beyond its surface, out of sight. It relies upon what is not perceptibile in the image. Thus, the image that bears the brutality of the State is atrocious, and is not necessarily intolerable. We find this aspect in the History and memory evoked by the artistic practices of those who position themselves, in the form of denunciation or manifest, against violent actions and abuses within the exercise of power. In opposition to the mass media images, images that circulate within the context of art (although they are frequently appropriated from newspapers and magazines) are in perspective. For this reason, we observed the works beyond their formal characteristics, relating them to the social and political contexts in which they were produced. Thus, these images emerge as testimonies of brutal events and as antimonuments that spark memories that are often muted, forgotten or ignored.