A relação sujeito-objeto na Estética de Georg Lukács: reformulação e desfecho de um projeto interrompido

• Ano de defesa: 2010
• Autor(a) principal: Rainer Camara Patriota
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Neokantismo; Hegel; Relação sujeito-objeto; Lukács; Marxismo; Estética; Filosofia marxista; Estetica; Filosofia; Lukacs, Gyorgy, Estética; Hegel, Georg Wilhelm Friedrich, 1770-1831
• Link de acesso: http://hdl.handle.net/1843/ARBZ-85KH2Z

The aim of this paper is to identify and show the categorical center of the Hungarian philosopher Georg Lukács´ late Aesthetic. For such purpose, will be recover his early work, especially, his unfinished manuscript of aesthetics written in Heidelberg at the period of 1912-1918. The Marxist Aesthetics is seen and inquired at as a reformulation andconclusion of the interrupted Heidelberg project. In fact, both aesthetics try to determine the autonomy of art as a kind of a subject-object identity. But if in the former Lukács searches to transplant this Hegelian principle to the context of the neo-Kantian philosophy (strongly influenced by Lask), in the latter the transplantation is accomplished on materialistic ground (Marx) against the transcendental dualism of the past. As a result,genetics and interactive relations are produced between the realm of daily life and the normative realm of art.