Entre estilos, técnicas e iconografias: algumas reflexões sobre o retrato através das capas das revistas Alfa e Lola Magazine

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Débora Veríssimo Costa
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
UFMG
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/1843/BUOS-9M3JV6
Resumo: Since wen magazines were segmented to both feminine and masculine publics, we find editorial formulas adapted to specific languages and contexts. From 1936, for example, we can notice not only, the photoengraving as a crucial expression of magazines, but also, the presence of industries, such as cosmetics and cinematographic, directly corresponding to the feminine press. At the 70s the expansion of global models can be noticed in magazines from different nationalities, now adapted to this global formulas. Resulting from strategies that remark these decades, contemporary magazines, ALFA and LOLA, show us a particular iconographie adapted to its covers that elects the head and shoulders composition as a portrait language that remarks a great majority of magazines from the same segment. This research considered that the image of the human head is a medium between techniques and artistic styles, applied in ways and processes of representing the human figure through history. We design a study based on the funerary Egyptian art, going through the renaissance of 15th century, the invention of photography and the mass production, of 20th and 21st centuries, intended to investigate the possible adaptations of the portrait and its perpetuation through out history. Considering magazines covers as a possible gender of portrait, we intend to find a line that will take it, beyond the commercial portrait and an industrial product. The cover will be taken as a place of plural significations.