O torcer no futebol: um estudo comparado entre os relatos autobiográficos de Nick Hornby (Arsenal) e Grant Farred (Liverpool)

• Ano de defesa: 2020
• Autor(a) principal: Eduardo de Oliveira Bueno Queiroz Fontes
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; EEFFTO - ESCOLA DE EDUCAÇÃO FISICA, FISIOTERAPIA E TERAPIA OCUPACIONAL; Programa de Pós-Graduação em Estudos do Lazer; UFMG
• Palavras-chave em Português: Lazer; Autobiografia; Futebol na literatura
• Link de acesso: http://hdl.handle.net/1843/36148

This thesis performs a comparative study between the works Fever Pitch, by Nick Hornby, and Long Distance Love - a passion for football, by Grant Farred. The proposal is to analyze what refers to the concepts of “memory and identity” and “sports autobiography”, as well as to investigate the way in which the authors present the “act of supporting football” in their works to then fill a gap in relation to the comparative study, appropriating the differences and similarities between the narratives. For this, the methodology chosen was based on the research of autobiographical theories, in particular the autobiographical pact of Philippe Lejeune and Andrew C. Sparkes. In addition, the concepts of memory and identity adopted by Stuart Hall, Joel Candau, Michael Pollak and Maurice Halbwachs and the definitions of historiography by Alain Courbin, Martin Polley and Matthew Taylor were used. In addition to the analytical reading of the selected books, a research was carried out on published works about the authors in books, newspapers, and periodicals. The 1970s and 1980s were selected so that it was possible to make a comparison between the works, considering that, in addition to the soccer fan and his clubistic passion, English sports literature is central. Nick, Arsenal fan. Grant, Liverpool supporter. Both present their tragedies and epiphanies, displayed in a plot in which the passion for football and, especially, for their teams, is treated as an obsession, as it promotes a junction between living and cheering, making them inseparable elements. The authors lived in different realities. Nick, white, lived in England and could follow Arsenal in the games. Grant, a black man, lived in South Africa under the Apartheid regime and rooted for Liverpool, an eminently racist team that did not accept black players. The reality of the fans / authors was portrayed in this thesis to show that the relationship between them is much greater than what can be read in an autobiography.