Complexo de diversões Guaicurus: análise do design em peças gráficas de divulgação do lazer sexual na capital mineira

• Ano de defesa: 2021
• Autor(a) principal: Rafael Rodrigo dos Santos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; EEFFTO - ESCOLA DE EDUCAÇÃO FISICA, FISIOTERAPIA E TERAPIA OCUPACIONAL; Programa de Pós-Graduação em Estudos do Lazer; UFMG
• Palavras-chave em Português: Design; Comunicação Visual; Lazer Sexual; Lazer - Aspectos sociais; Diversões; Marketing
• Link de acesso: http://hdl.handle.net/1843/43924; https://orcid.org/0000-0002-1495-4871

The dissertation “Guaicurus Entertainment Complex – design analysis of graphic material intended of sexual leisure in the capital of Minas Gerais” aims to identify evidence of visually appealing in graphic material the promotion of sexual leisure, on the time between September 2019 and January 2020. We aim to understand how the use of design is present in the dissemination of sexual leisure, available at the Guaicurus Entertainment Complex, located in the central region of Belo Horizonte, capital of Minas Gerais. The visual communication is a vast topic, encompassing all graphic arts and expressions, from problems of visual perceptions that relate different visual perceptions to emotional phenomena, relationships between compositional elements (lines, dots, colors) that contribute and facilitate visual reading. We clarify that visual communication must have design aspects that are able to generate objectivity and there is no visual confusion. Following the literary review, we detected that it is inter/multi/transdiscipline the corporature of a visual message, however in the analyzes we identified that the diversity of visual representations found in the field is tonic in the Guaicurus Amusement Complex, carried by symbols, traces, clues, narratives , exhibitions and everything else that generates visual content – which contributes to talk about other times in the region and makes up the exhibition of various forms of appropriation and remembrance of the bohemian area of the capital of Minas Gerais. We understand that the strategic and cognitive development of graphic pieces is capable of interfering with reality.