Teatralidades do real: significados e práticas na cena contemporânea

• Ano de defesa: 2011
• Autor(a) principal: Julia Guimar?es Mendes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Teatralidades do real; Teatro contemporâneo; Representação; Teatro Aspectos políticos; Representação teatral; Teatro Séc XXI História e crítica
• Link de acesso: http://hdl.handle.net/1843/JSSS-8T2Q97

The goal of this dissertation is to investigate some of the meanings circumscribed in the ways the idea of reality has been explored in theater at the beginning of the current century. The research departs from a bibliographic survey focused in recent publications on the theme, goes through the mapping of the most recurrent appearances of the real at the contemporary scenic and artistic sphere and is concluded with a case study of the play Esta Noite Mãe Coragem (Tonight Mother Courage), by the group ZAP 18 from Belo Horizonte, Minas Gerais. Throughout the work a discussion on the meanings of the growing presence of reality on contemporary theatrical presentation is developed, aiming to focus on a few aspects: In which ways is the real absorbed by theater today? What are the potentialities of such representative strategies? What kinds of questions are elaborated? What reactions are provoked on the spectators? Thus, through this study, it is possible to infer that the presence of the real in the current artistic scenario points both to a new organization of the place of representation in contemporary art as to the reflection about a possible political dimension of theater nowadays.