Nóis pixa, você pinta, vamos ver quem tem mais tinta: direito à cidade e resistência nos espaços urbanos

• Ano de defesa: 2016
• Autor(a) principal: Felipe Bernardo Furtado Soares
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Direito à cidade; Criminologia; Pixação; Produção do espaço urbano; Cultura de rua; Espaço urbano Aspectos sociais; Direitos humanos; Pichação de muros; Direito
• Link de acesso: http://hdl.handle.net/1843/BUOS-ASJH49

By comprehending the process of social production of space as an always inconclusive result of the battle between social and political forces associated to the state and the capital and between the popular tactics of appropriation and resistance, I try to understand the role of pixação in this process. From theoretical studies on architecture, sociology, law and legislation, public policies and lawsuits which took place in Belo Horizonte, I propose to read, first, the production of the urban space from above that is, undertaken by agents of the state and the capital. Further, taking the fieldwork I have done and based on the theoretical reference of Michel Maffesoli, transplanted to the Brazilian reality by Gustavo Coelho, I aim to understand the sociality of pixação writers in Belo Horizonte. The main goal is to demonstrate how pixação resists to the vertical space production and consequently creates another city, another space and another law.