As sonatas para violoncelo e piano de M.C. Guarnieri, em contexto: aspectos técnico-interpretativos da Sonata N.3

• Ano de defesa: 2021
• Autor(a) principal: Cinthia Fernandes Matias
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; MUSICA - ESCOLA DE MUSICA; Programa de Pós-Graduação em Música; UFMG
• Palavras-chave em Português: Sonata para violoncelo de Camargo Guarnieri; Música brasileira para violoncelo e piano; Antonio Lauro Del Claro; Música para violoncelo; Guarnieri, Carmargo, 1907-1993; Sonatas; Música para piano
• Link de acesso: http://hdl.handle.net/1843/42108

The objective of this work is to present a study of the composer Mozart Camargo Guarnieri’s Sonatas for cello and piano, as well as proposing suggestions that enphasize the expressive content of the Sonata N.3. As a foundation for this study, Guarnieri’s evolution as a composer is considered and his three cello sonatas are related to his three compositional phases. Furthermore, private classes were held with cellist Antonio Lauro Del Claro, to whom Sonata N.3 was dedicated and who was present in the realization of Guarnieri’s sonatas for cello and piano. These classes with Del Claro were used to reflect on and record the composer’s intentions and inspirations, as described in the cellist’s memories of their shared experiences throughout the process of creating the sonatas. Biographical sources are used to trace the influences that were important to the compositional process of the work. Finally, this study proposes to support a performance that is coherent with the composer’s intentions.