O TAMBOR QUE FALA: LINGUAGEM E PERFORMANCE MUSICAL NO „PEGA FOGO‟ DO TAMBOR DE CRIOULA.

• Ano de defesa: 2016
• Autor(a) principal: GUEDES, João Paulo
• Orientador(a): FERRETTI, Sérgio Figueiredo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Maranhão
• Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS/CCH
• Departamento: DEPARTAMENTO DE SOCIOLOGIA E ANTROPOLOGIA/CCH
• País: Brasil
• Palavras-chave em Português: linguagem dialógica; performance musical; euforia coletiva; tambor de crioula
• Palavras-chave em Inglês: dialogic language; music performance; collective euphoria; tambor de crioula
• Área do conhecimento CNPq: Antropologia das Populações Afro-Brasileiras
• Link de acesso: http://tedebc.ufma.br:8080/jspui/handle/tede/1806

This thesis aims to develop an analysis of dialogic languageoftambor de crioula linked to the concept of musical performance, which are at stake both “musical” elements as “extramusical”. The tambor de crioula is a popular manifestation very diverse and contextual predominantly held by blacks, with profiles of participants, motivations, forms of organization, musical and choreographic structures that have similarities and differences which are expected commune in the collective practice. This communion of feelings is achieved in times when the musical performance reach the summit and, as they say, the tambor „esquenta' and „pega fogo', expressions that I adopt as a phenomenon of collective euphoria. Through ethnography of musical performance, I intend to demonstrate an interpretation of how the dialogic language is manifested in 'marchas de tambor‟in different musical performances, as well as some elements that influence the „pega fogo do tambor‟.