Detalhes bibliográficos
Ano de defesa: |
2023 |
Autor(a) principal: |
PINTO, Lucas Alves
|
Orientador(a): |
FRANCO, José Carlos Messias Santos
|
Banca de defesa: |
FRANCO, José Carlos Messias Santos
,
SOARES, Leticia Perani
,
SOUZA, Elaine Javorski
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Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal do Maranhão
|
Programa de Pós-Graduação: |
PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO -MESTRADO EM COMUNICAÇÃO - PPGCOM CCSST (Campus Imperatriz)
|
Departamento: |
DEPARTAMENTO DE COMUNICAÇÃO SOCIAL/CCSO
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País: |
Brasil
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tedebc.ufma.br/jspui/handle/tede/4915
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Resumo: |
The present research aims to study/investigate the affordances present in the Netflix streaming platform through a mapping of the functionalities and mechanisms of its interface. It started with fundamental concepts for the research, such as platform capitalism (Poell, Nieborg and Dijck (2020), entertainment complexification (Regis, 2007), experience on demand and attention economy Bryan (2020), still having as a reference authors such as Manovich (2013), Davernport; Beck (2001), Bueno (2016), among others, who allowed us a sociotechnical approach to audiovisual media. binge-watching”), made possible by the apparent ubiquity of algorithmic agency, present in the discussion about black-box algorithmization by D’Andréa (2020), in Flusser (1985, 2007), Pierro (2018), and by the affordances themselves, by Gibson (1986), which direct the users' gaze amid the myriad of information on the screen. as a way to investigate compute interfaces national/digital. |