Detalhes bibliográficos
Ano de defesa: |
2023 |
Autor(a) principal: |
SOARES, Max Fernando Coelho
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
BORRALHO, Tácito Freire
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
BORRALHO, Tácito Freire
,
FONSECA, Michelle Nascimento Cabral
,
VIANA, Raimundo Nonato Assunção
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal do Maranhão
|
Programa de Pós-Graduação: |
PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES CÊNICAS
|
Departamento: |
DEPARTAMENTO DE ARTES/CCH
|
País: |
Brasil
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tedebc.ufma.br/jspui/handle/tede/5261
|
Resumo: |
This work aims to create a scenic methodology based on the compilation of strategies, techniques and practices accessible in different languages and aligned with theatrical work, in order to serve as study material for the construction of shows focused on Animated Forms, starting from the concepts and patterns of Actantial Literary Composition by Julius Greimas, Joseph Campbell's monomyth and the cinema resource of Storytelling, going through Frank Thomas and Ollie Jhonston's understanding of movement in animation, supported by Charles Duhigg's practice of systematic repetition as teaching and assimilation by habit, with the intention of establishing a method for montages in Animated Forms Theater. |