A “DESIDEALIZAÇÃO” DO OLHAR DO SUJEITO LÍRICO EM POEMAS, SONETOS E BALADAS: A REFORMULAÇÃO DO SENTIMENTO AMOROSO NA LÍRICA MODERNA DE VINICIUS DE MORAES.

• Ano de defesa: 2021
• Autor(a) principal: BRAGA, Cleyton de Sousa
• Orientador(a): QUEVEDO, Rafael Campos
• Banca de defesa: QUEVEDO, Rafael Campos , CAVALCANTE, José Dino Costa , MIRANDA, Wandeilson Silva de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Maranhão
• Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS/CCH
• Departamento: DEPARTAMENTO DE LETRAS/CCH
• País: Brasil
• Palavras-chave em Português: Poesia lírica; Sujeito lírico; Sentimento amoroso; Subjetividade; Lírica na modernidade
• Palavras-chave em Inglês: Lyric poetry; Lyrical subject; Loving feeling; Subjectivity; Lyric in modernity
• Área do conhecimento CNPq: Literatura Brasileira
• Link de acesso: https://tedebc.ufma.br/jspui/handle/tede/3362

In the intention of reflecting on subjectivity, poetry and the lyrical subject in the face of literary transformations brought about by modernity (in the context of the mid nineteenth century to the early years of the twentieth century), this dissertation makes some considerations about the figuration of the loving feeling in the poetics of Vinicius de Moraes. It observes how his production, still impregnated by romantic poetry — in the sense of lyrical subjectivity being more sentimental, idealistic — it is surpassed by modern ideals — based on the understanding that the lyrical subject is detached from the exclusivity of its interior and it also relates to the outside world. This occurs, by the way, without the subject of Vinicius de Moraes' poetry completely disconnecting from the subjective, imaginative and imitative nature; these aspects are frequent in the study of lyric. Therefore, the main objective of this work is to reflect on the constitution of a lyrical subject deidealized in the poetics of Vinicius de Moraes, based on the “deromantization” present in the book Poemas, Sonetos e Baladas (from 1946) after the reformulation of the loving feeling regarding the subjectivity of lyrical (poetry) in modern times. Thus, as for the procedure, the work was explored based on bibliographic research, guiding the study from an analytical-descriptive perspective. In this way, we structured the chapters to initially trace a brief literary historical overview about the lyric, paying attention to romantic (lyric) poetry and to the concepts of expression of the lyrical self and to the love theme, together with the subjectivity of the lyrical subject; then, to relate the subjectivity of the nature of the lyrical and the lyrical self with the rupture manifestations originating from modernity, in which the subject's subjectivity approaches the external issues of the lyrical poet; and, in the final chapter of the research, to analyze in some poems from the book Poemas, Sonetos e Baladas the “deidealization” of a lyrical subject based on the reformulation of the loving feeling in the subjectivity of modern lyrical.