Um estudo sobre opções interpretativas para elementos folclóricos na performance pianística atual

• Ano de defesa: 2011
• Autor(a) principal: Ribeiro, Rodrigo Tiago
• Orientador(a): Costa, Carlos Henrique Coutinho Rodrigues
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Osvaldo Lacerda; Brasiliana nº 3; Danças folclóricas brasileiras; Técnica pianística
• Palavras-chave em Inglês: Folkloric Brazilian dances; Piano technique
• Área do conhecimento CNPq: ARTES::MUSICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/4244

The current work addresses the pianistic adaptations of the folkloric elements used in “Brasiliana nº3” for the piano by composer Osvaldo Lacerda. Through the theoretical reference used, firstly approaching the pianistic technique by the prism of authors Keith Swanvick, Claudio Richerme and Jose Alberto Kaplan, and secondly the study on “musical gestures” by Robert. S. Hatten and Bernadete Zagonel, we propose sonorously adequacy suitable for the piano, of the folkloric elements contained in the respective primary instrumentations of the dances Cururú and Quadrilha. The discussion about performance possibilities presented in this study aims to contribute with a new approach and analytical perspective of the nacionalistic works for piano. In addition, it offers contributions for the universe of piano’s students and interpreters as well. Among the conclusions after the comparative analysis of the works, both in an “authentic” folkloric version and on the written author’s version, there is the relevance of the understanding of the technical aspects allied to the human physiology, and the importance of musical gestures in the moment of the performance as well.