GRAVURAS COM USO DE COMPUTAÇÃO GRÁFICA: UM PROCESSO PESSOAL DE CRIAÇÃO, AUTOCONHECIMENTO E TRANSFORMAÇÃO

• Ano de defesa: 2007
• Autor(a) principal: MORAES, Sérgio Antônio Penna de
• Orientador(a): CLÍMACO, José César Teatini
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Cultura Visual
• Departamento: Processos e Sistemas Visuais, Educação e Visualidade
• País: BR
• Palavras-chave em Português: gravura digital, processo de criação, reflexão sobre a prática
• Palavras-chave em Inglês: computer aided graving, creative process, reflection on practice
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2778

This Dissertation is a reflection upon a personal artistic creation in graving with computer graphics aid. Phenomenology is taken as the intellectual support on reading the knowledge resulting from this research. In Phenomenology, subject and object are interrelated in the sense of exploring potentialities that do come up as the result of the experience lived in ease but committed attitude regarding the research object. On reflecting on the artistic creation process, the idea is to contribute to the understanding of the process of visual art creation. An additional purpose is to inspire artists and art teachers to produce art and think on their own creative processes as well. Giving thought to art practice is also a methodological process in education and this can result in improving self-knowledge, classroom teaching methodology and artistic skills. The method used for this research includes a field diary called atelier diary. There is an overlapping and crossing between poetics and education in this study, which integrates the artist, the researcher and the teacher. It is felt from this experience that when one creates artistically, the process must come from within, so it is free. The artist should be open to the flow. It is important to access one s memories, feelings and other psychological phenomena. After an artistic work is done, then one goes back and gives it deep thinking. That s one when realizes what concepts are implied. The purpose of any artist should be to be true to himself or to herself. That is, to encounter oneself. Besides, the artist communicates with his or her audience through both conscious and unconscious layers of communication. Blending together creation and reflection, practice and theory can fuel in transformations that stir the full development of one s potentialities