A lira hesitante de Ana Cristina Cesar

• Ano de defesa: 2010
• Autor(a) principal: FERRO, Letícia Costa e Silva
• Orientador(a): CAMARGO, Goiandira de Fatima Ortiz de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Letras e Linguística
• Departamento: Lingüística, Letras e Artes
• País: BR
• Palavras-chave em Português: Poesia lírica brasileira contemporânea; Ana Cristina Cesar; poesia marginal; subjetividade; poética da hesitação
• Palavras-chave em Inglês: lyrical contemporary Brazilian poetry; Ana Cristina Cesar, marginal poetry; subjectivity; poetry of hesitation
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2402

Once in contact with contemporary poetry, we can think of its multiple practice in which form and diction, the most diverse ones resist to critical reception that are tied to established literary standards. The literary work of Ana Cristina Cesar can be included in this particular context. Controversial in its essence, her work keeps oscillating and drifting from stable matters. Therefore, the aim of this study is to read it by the bias of hesitation, between poetry and prose, center and edge, biography and fiction, memory and forgetfulness, in order to find out what is hidden underneath it, and whether it means simulation or dissimulation. The essay is elected then, in the wake of Adorno (2003), as the academic style of dissertation. It is a belief that the essay is analogous to the poetry studied, for it is placed among absurdities since it neither starts from a very beginning nor converges at a final ending.