Detalhes bibliográficos
| Ano de defesa: |
2020 |
| Autor(a) principal: |
Oliveira, Antonio Dias de
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| Orientador(a): |
Santos, Rafael Guarato do
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| Banca de defesa: |
Santos, Rafael Guarato do,
Dias, Luciene de Oliveira,
Iwamoto, Thiago Camargo |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (EMAC)
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| Departamento: |
Faculdade de Ciências Sociais - FCS (RMG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/12952
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Resumo: |
This work aims at investigating and understanding in a more assertive way the male and female performances in Artistic Gymnastics, emphasizing this observation in the Solo apparatus. To develop this research, readings of texts that approach discussions about Artistic Gymnastics, gender, sexuality and sport in general have been made, relating the collected observations with the modality in question. Associated to these readings, analyses were also made on the gestures displayed on photos taken from the web and official documents from agencies responsible for inspection/control. Those regard the presentations of Solo in Artistic Gymnastics, in order to understand more broadly how these gestures and their approach by the media contribute to the construction of the existing duality between men andwomen in Artistic Gymnastics, in sport and in the social field. It is understood that the gestural demands presented by gymnasts at the time of their performances are determined by official documents (scoring codes), which define in which formats these presentations should be based and, thus, reaffirm normative patterns of heterosexuality and binary sexual conception.Keywords: Gymnastics, Gender, Sexuality, Sport, Binary Sexual Conception. |
