Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo

• Ano de defesa: 2018
• Autor(a) principal: Maia, Claudio Marcelo Bezerra
• Orientador(a): Raymundo, Sonia Marta Rodrigues
• Banca de defesa: Cardoso, Antônio Marcos Souza, Cunha, Estercio Marquez
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Elaboração de arranjos; Modalismo na música popular; Performance do contrabaixo; Criação de linhas de contrabaixo
• Palavras-chave em Inglês: Elaboration of arrangements; Modalism in popular music; Performance on the double bass; Creating bass lines
• Área do conhecimento CNPq: ARTES::MUSICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/8691

The present has as object the arrangements of brazilian popular music in the modal context, particularly the bass line. The general objective is to discuss the construction of the double bass line in the development of arrangements for brazilian popular music in the modal context in order to offer greater freedom of creation/performance to the bassist. To this end, is organized into three main parts: 1) Literature review: discussion of references in printed and audiovisual material on double bass and MPB, especially those involving performance and modalism, available in portuguese language; 2) Selection and discussion of the material reviewed: two songs from the repertoire of MPB, which present the modalism and will serve as object to the arrangements; 3) Preparation of double bass lines in the modal context to be taken into account in arrangements.