Detalhes bibliográficos
Ano de defesa: |
2012 |
Autor(a) principal: |
Nunes, Ariel Ferreira
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Alvarez, Gabriel Omar
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
Alvarez, Gabriel Omar,
Ahias, Renato,
Silva, Joana Fernandes |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Antropologia Social (FCS)
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Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/9609
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Resumo: |
The public cultural policies traditionally increased the high culture and folklore as the main manifestations of Brazilian culture. Since the management of the Minister Gilberto Gil (2003- 2008) we situate changes in the ways of making public policy culture. The main action of this management policy is the implementation of “Cultura Viva” and the “Pontos de Cultura”, operating through the shared management between federal government and civil society. In this work we analyze the implementation of public cultural policy, as well as their modes of organization in social networks and virtual. The ethnography constitutes an open-ended interviews and participant observation in the “Pontos de Cultura”, in their virtual network, and the meetings between “Pontos de Cultura”, local politicians and representatives of the Ministry of Culture, called Teias. Fieldwork focused on the coordinators of the “Pontos de Cultura”, known as ponteiros. These ponteiros are included here as the main organizers of “Pontos de Cultura”, government and society. |