Detalhes bibliográficos
Ano de defesa: |
2024 |
Autor(a) principal: |
Ribeiro, João Pedro Bento
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Orientador(a): |
Oliveira, Natássia Duarte Garcia Leite de
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Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Artes da Cena (EMAC)
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Departamento: |
Escola de Música e Artes Cênicas - EMAC (RMG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13787
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Resumo: |
This dissertation stems from research conducted from mid-2020 to the end of 2023, within the research field of Aesthetics and Poetics of the Performing Arts within the Graduate Program in Scenic Arts (PPGAC) at the School of Music and Performing Arts (EMAC) of the Federal University of Goiás (UFG). It is affiliated with the following laboratories: the Laboratory of Scenic Productions and Theater Education (LabMonTe/EMAC/UFG) and the Interdisciplinary Laboratory for Research in Scenic Arts (Lapiac), the latter being affiliated with EMAC and the School of Physical Education and Dance (FEFD/UFG) as well as the Laboratory of Indumentary creation, Costume Collection and Sewing Atelier (LabCriaa). The dissertation is titled: "DARK ROOM: Counterproduction Strategies in the Contemporary Context." Its aim is to be a practical experience that achieves a creative intersection between Art Direction and the socio-political theory of contrasexuality, writen by Paul Preciado. To this end, it carries out an experiment in immersive performative installation open to the public, where interaction, touch, and existence are key elements of the experience. This project seeks to establish the theme of Contrasexuality, indicating it as the theoretical foundation that links to the body and drives the construction of exposed bodies. It also extends to the understanding of Body Architecture, as coined by Marcelo Denny. Finally, Art Direction, which permeates all these fields, contributes to the visual construction of the installation, allowing for the integration of the exposed conceptualizations in front of a performative installation and the participants who pass through it. In conclusion, the project's realization is expected to be achieved through the construction and assembly process, which will be documented and displayed as a way to emphasize the importance of practical knowledge that persists in the field of scenic production, especially in Art Direction that may arise in bodies out of the norm possibilities of creation on the artistic field. |