A presença da experiência vivida na constituição lírica de Mário de Andrade e de Carlos Drummond

• Ano de defesa: 2014
• Autor(a) principal: Vieira, Priscila Cardoso
• Orientador(a): Souza, Jamesson Buarque de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
• Departamento: Faculdade de Letras - FL (RG)
• País: Brasil
• Palavras-chave em Português: Subjetividade; Experiência do vivido; Mário de Andrade; Drummond
• Palavras-chave em Inglês: Subjectivity; Experience of lived; Mario de Andrade; Drummond
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/4983

This dissertation has as main objective the course by the lyrical constitution of Mário de Andrade and Carlos Drummond, from the reading of three books of each author: Losango cáqui, Clã do jabuti, Remate de males; José e Rosa do povo. We will make this journey guided by the notion of lyrical subject, proposed by Combe (2009-2010) and author, proposed by Bakhtin (1997). Our aim is to find traces of these authors reflected in their lyrical creations. For this, we want to observe the correlation between poetic creation and experience of lived. We seek, in this case, map the route that the lyric subject makes in order to observe the choices that fall in this poetry. We believe that Mário and Drummond suffer the world in a wide open way. Thus, we hope to find subjectivities which are directed to another, in specific historical contexts. We aim to understand how the experience of lived influences literary choices of each poet. We also expect to find how the social problems are represented in this two poetic. The investigative process that we have adopted is divided in three steps. The first is to observe how the poems of Mario and Drummond achieve the other and the social problems. The second step is to analyze, from the three books of Mario, how will this path the lyric subject makes toward the other people as well as the connection with the Brazilian historical context. In the last step we find the lyrical subject of Drummond under the same perspective that we adopted with Mário, noting the similarities and differences between the two poets when they look for the other people.