Gravura e memória afetiva – as caixas do quarto do fundo

• Ano de defesa: 2017
• Autor(a) principal: Gomes, Simone Simões
• Orientador(a): Clímaco, José César Teatini de Souza
• Banca de defesa: Clímaco, José César Teatini de Souza, Chaud, Eliane Maria, Nunes, Lilian do Amaral, Jorge, Anahy Mendonça, Pinto, Suely Lima de Assis
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RG)
• País: Brasil
• Palavras-chave em Português: Gravura; Memória afetiva; Poéticas visuais
• Palavras-chave em Inglês: Print; Affective memory; Visual poetics
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/7308

This text is a reflection of my research and poetic process that aims at the creation of a visual way of thinking through the investigation of the processes of production of engravings related to “saudade” and affective memories that are accumulated and fade during our lives. Images of family albums, collections of personal belongings, everyday objects and craft tools are important in my research. Imprints and printing plates can be objects loaded with memory, where their engraving process is rich in traces, accumulations, textures, phantasmagoria and blur. In this context I share how my experience during the process of experimenting with the production of engravings was an integral part of the re-signification of contents and artistic production