Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Côrtes Filho, Audrival Pereira
 |
| Orientador(a): |
Nazareno, Elias
|
| Banca de defesa: |
Nazareno, Elias,
Franco, Edgar Silveira,
Capel, Heloísa Selma Fernandes |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
|
| Departamento: |
Faculdade de História - FH (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/10063
|
Resumo: |
The purpose of this essay is to allow some historical agents that took part in and works on manifestations related to rock genre, more precisely to the underground scene from Brazilian psychedelia in the1970’s, have their names as reference and in some way to honor them in the Brazilian rock scene and it works as an aid to new researches. In this regard, we are going to analyse the musical structure, the lyrics and the poetry of some songs of this characters. We selected groups and artists from four different regions of the country: Som Nosso de Cada Dia’s band from São Paulo, A Bolha from Rio de Janeiro, the Udigrudi’s movement from Recife and the artists Língua Solta, Adalto Bento Leal e Moka Nascimento from Goiânia. This temporal cut is from the 1970’s due to its representateviness with the emergement of various bands and artists and the release of relevants phonographic recordings of psychedelic rock in this moment. |
