Arqueologia da ausência – um processo privado de elaboração da perda em audiovisuais de familiares de desaparecidos na ditadura Argentina ( 1976-1983)

Detalhes bibliográficos
Ano de defesa: 2013
Autor(a) principal: Oliveira, Euller Gontijo de lattes
Orientador(a): Bittencourt, Libertad Borges lattes
Banca de defesa: Bittencourt, Libertad Borges, Nunes, José Walter, Abdala Júnior, Roberto, Vilela, Ana Lúcia Oliveira
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em História (FH)
Departamento: Faculdade de História - FH (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/3602
Resumo: This work aims to study the role of the cinema thinking in the reconfiguration of memory and in the constitution of identities, through two films directed by relatives of missing the last Argentine military regime. We found the films an excellent source of study to think building these memories in film. In this sense, the main axis of reflection is how these relatives, today filmmakers, come thinking your memories and their identities from their audiovisual production? What place the images in this building? And to what extent the images contribute to the remodeling of the memory and, therefore, identities, since we assume that memory and identity do not dissociate. From this perspective presented by Joël Candau (2011) analyze the two documentaries, starting from the design of the memory can both consolidate as weakening the sense of identity. In this sense, a focus of this work is to think like documentaries Argentine military dictatorship come after linking and updating the past in a struggle against forgetting.