Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Oliveira, Alana Borges Neves
 |
| Orientador(a): |
Franco, Edgar Silveira
|
| Banca de defesa: |
Franco, Edgar Silveira,
Hidelbrand, Hermes Renato,
Berardo, Rosa Maria,
Chaud, Eliane Maria,
Nunes, Fábio Oliveira |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/3934
|
Resumo: |
We seek to investigate in this research elements and concepts that are present and or in dialogue with our experimental artistic production in Art and Technology. To lift and understand the contexts of creation involving movement and color-light mostly along the history of art and also situate our production in the contemporary art scene. Starting from the language of photography, passing through Kinetic Art and reaching the interactive installations. In this course we rely on the study of the works of many artists and important concepts such as interactivity. Having grounded and assembled this panorama present our creative process. Addressing the choices and changes that occurred during this process we had produced two prototypes, the latter being the final experimental work, titled Acqua lumens. This artwork features moving forms that arise through interaction with the public and are lit by light-color photographs produced between 2007 and 2009. Present and past, individual and collective, chance and programming merge into a single result . |
