Arquitetos associados e espaço: tradição e modernidade nas obras de um quarteto de formação mineira

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: Silva, José Renato de Castro e lattes
Orientador(a): Caixeta, Eline Maria Moura Pereira lattes
Banca de defesa: Caixeta, Eline Maria Moura Pereira lattes, Frota, José Artur D’Aló, Badan, Rosane Costa, Mello, Fernando Antonio Oliveira
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Projeto e Cidade (FAV)
Departamento: Faculdade de Artes Visuais - FAV (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/6401
Resumo: This research provides an analysis of the academic and the professional performance of four architects, graduated at the Architecture School of Minas Gerais - Elias Daud Neto, Eduardo Simões Barbosa, Carlos Fernando Rabelo and Roberto Benedetti. During approximate four years (1969-1973), the quartet has developed projects and constructions in Goiânia, with the foundation of Arquitetos Associados S/C office. Later, starting from 1974, only two of them - Eduardo Simoes Barbosa and Carlos Fernando Rabelo - continued with the associated activity creating a new office called Espaço - Planning Team, Architecture and Consulting Ltda. The object of study is the production ensemble of these offices in the context of Goiânia, city created and consolidated in the light of modern ideals. The dissertation arouses a systematic reflection on the work of these architects, place it in the local and regional modern architecture scene and, when rescue her from the anonymity, establishes confrontations with important works of brazilian architecture. The investigation on them projective processes has as reference some based sampling of their basilar projects. The research was subsidized by consultation in primary sources of the office acquis, by the visits to the constructions and interviews with architects, clients and employees. These procedures help to understand in what ways the quartet contributed to the formation and consolidation of a local architectural culture, in the tenue and inaccurate transition between the modern and the postmodern. Thus, this dissertation inaugurate the fill of an important gap in the history of Goianiense architectural production, at the same time that launches a necessary database for future researchs about these architects works. Pathfinders professionals that, in this actuations, legitimized the process of Goiânia construction.