Animação e diversidade: gênero trans e arte Sudaca – aquarelando com pigmentos naturais para além do azul e do rosa

• Ano de defesa: 2020
• Autor(a) principal: Santana, Janayna Medeiros Pinto
• Orientador(a): Berardo, Rosa Maria
• Banca de defesa: Berardo , Rosa Maria, Rodrigues, Manoela dos Anjos Afonso, Oliveira, Flávio Gomes de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RG)
• País: Brasil
• Palavras-chave em Português: Animação; LGBTQI+; Arte Sudaca; Pigmentos naturais; Pesquisa em arte
• Palavras-chave em Inglês: Animation; LGBTQI+; Sudaca art; Natural pigments; Art based research
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/10615

You, reader or reader, consider this text as an essay in which I bring part of my concerns and experiments from research in art, which has as a differential the focus on making conceptual images that illustrate a script for animation, which were watercolored with natural pigments. The proposal consists of developing, under the theme LGBTQI +, an animation script, until the production of watercolored manual drawings with natural pigments that represent it visually. It is projected through the theoretical-methodological construction of weaving, to take place through such a method in written and audiovisual language, to the elaboration of a final product, being a documentary about the process of creating these images that illustrate my script in a version for a storyboard. The proposal is structured around the protagonism of history by a trans character (woman / girl), in the name of a Sudanese art, which seeks to break with the ideological paradigms of a hegemonic western culture, which presents the differences in stigmatized, violated and silenced. Dialoging with the place, the Cerrado, and the re-existence of this biome in the face of an agricultural culture that devastates it out of ambition, in the name of food and the maintenance of society. I sought to explore its natural diversity in terms of its color palette to be printed in watercolors, where I come to call for a policy of identities and place. In a “tangle” of relevant discussions, the fact of the emergency in dealing with current and controversial issues, such as the re-existence of trans people and the confrontation of violence to the LGBTQI + group, stands out and together problematize the re-existence of the Cerrado biome, highlighting it o in its plurality.