Cultura popular e revolta: uma leitura crítica da atualidade de Octavio Ianni nos estudos de cultura de periferia – o hip hop em questão

• Ano de defesa: 2016
• Autor(a) principal: Santana, Danilo Correia da Silva
• Orientador(a): Rabêlo, Francisco Chagas Evangelista
• Banca de defesa: Rosa, Waldemir, Santos, Cleito Pereira dos, Rabêlo, Francisco Chagas Evangelista
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Sociologia (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Hip hop; Octavio Ianni; Juventude; Movimentos culturais; Exclusão social
• Palavras-chave em Inglês: Hip hop; Octavio Ianni; Youth; Cultural movements; Social exclusion
• Área do conhecimento CNPq: CIENCIAS HUMANAS::SOCIOLOGIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/6814

Starting from the idea of a rescue of Octavio Ianni’s sociology , as a way of thinking about Brazil today , this work aims to make a critical reading of the current writings of Ianni nowadays. This reading is done on the idea of "ordinary people sociability" of Octavio Ianni , to think the sociability of youths from the suburbs of Goiânia in the forms of cultural expressions from the hip hop movement. This thesis starts from the idea that cultural expressions of young people from the suburbs are expressions of revolt forms of exclusion imposed on them, so that the categories of hip hop - rap, break dance, the disk jockey ( DJ) and graphite - are forms of complaint and resistance of these forms of exclusion. We start from the idea of historical and dialectical materialism to make an analysis of the forms of materialization of culture through cultural movements, ie as the abstraction of the intangible social environment, culture, turns into a real movement of revolt against the forms of exclusion historically imposed on a social group, in this case young people of the suburbs of the city of Goiania. In the first chapter there is primarily a history of hip hop movement in general and specifically in Brazil, in order to specify the appearance so this cultural movement in the world and in Brazil and what it will mean for the cultural movement of youths of the peripheries. In the first chapter is made a theoretical reading on the materiality of anchored culture in ontological forms of cultural expressions, this reading consider the fact that the human being is the only animal that transforms your environment and it becomes, and thus it is able to convey to other generations the knowledge acquired throughout history, that is, and that we name culture. In the second chapter is made approximation of expressions of cultural movements of the peripheries in order to reach the ways in which hip hop is expressed through a closer reading of the research object tries to show how the revolt expressions are put in hip hop movement. In the third chapter we seek to approach the search field, making an analysis of the speeches of the hip hop movement young, this was done in order to get in the speeches of these young people or in other forms of expression of these through other hip hop categories, to expose the question raised at the beginning of this research, namely the cultural movement as an expression of a revolt historically imposed on subaltern social groups, in this case young people from the peripheries of Goiania.