Dualidades: sobre permanências e impertinências: um estudo sobre a percepção do ciberespaço

Detalhes bibliográficos
Ano de defesa: 2009
Autor(a) principal: CARVALHO, Leonardo Eloi Soares de lattes
Orientador(a): ROCHA, Cleomar lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Mestrado em Cultura Visual
Departamento: Processos e Sistemas Visuais, Educação e Visualidade
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2806
Resumo: This work analyses, under a phenomenological point of view, our perception of the cyberspace, since we are beings in the world. The study begins considering the hypothesis that the cyberspace is in the interface; thus it is in the natural world. Besides, this study questions how the approximation between the physical space and the cyberspace happens, and it defends the existence of a continuity between them. In order to do so, we discussed many aspects related to not only the cyberspace, but also the natural world, the own body, the perception, the computer interfaces, the real and the virtual, along the text, trying to understand how the perception works to later understand the perception itself. The research led us to some conclusions which were used in the development of a practical proposition which represents the imagetic production for this master course. The project, through a modified chess game, questions the notion of continuity between both the physical space and the cyberspace. To achieve this objective, we described the chess game elements, and we elect, among technical possibilities, a way for the poetic materialization of this project which is the modification of the game rules and of the perception that we have of it. In the end, this research made clear the phenomenical orientation of the project, highlighting the understanding of perception as a bodily act, part of a single process in which the body experience is as important as the conscience, in contrast to the positive conception.