Bandas de música militares: performance e cultura na cidade de Goiás

• Ano de defesa: 2013
• Autor(a) principal: Vieira, Joelson Pontes
• Orientador(a): Camargo, Robson Corrêa de
• Banca de defesa: Pinto, Marshal Gaioso, Clímaco, Magda de Miranda, Camargo, Robson Corrêa de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Sociedade goiana; Bandas de música; Cultura goiana; Dialogismo
• Palavras-chave em Inglês: Culture and society of Goiás; Wind band; Dialogism
• Área do conhecimento CNPq: ARTES::MUSICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/3188

The present thesis discusses the history of the military wind bands from the City of Goiás during the nineteenth and early twentieth century (1822-1937) and its relationship with the local society. After the analysis of the current literature about the history of Goiás, as well as the official documents regarding military wind bands, the present study make use as its analytical bases the bakhtinian dialogism ant its main characteristics, focused on three points: carnivalization, polyphony and intertextuality. Seeking to contribute for the construction of the cultural and social memory of the former capital of the State of Goiás, the present study, in the fields of musicology and cultural history, allows the recreation of one of the possible narratives about the origins, activities and relationships established by the military wind bands with other musical ensembles and with the local society. These origins, activities and relationships are analyzed based on an interdisciplinary approach, following the principles given by the bakhtinian triadic categorization.