Bandas de música militares: performance e cultura na cidade de Goiás

Detalhes bibliográficos
Ano de defesa: 2013
Autor(a) principal: Vieira, Joelson Pontes lattes
Orientador(a): Camargo, Robson Corrêa de lattes
Banca de defesa: Pinto, Marshal Gaioso, Clímaco, Magda de Miranda, Camargo, Robson Corrêa de
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/3188
Resumo: The present thesis discusses the history of the military wind bands from the City of Goiás during the nineteenth and early twentieth century (1822-1937) and its relationship with the local society. After the analysis of the current literature about the history of Goiás, as well as the official documents regarding military wind bands, the present study make use as its analytical bases the bakhtinian dialogism ant its main characteristics, focused on three points: carnivalization, polyphony and intertextuality. Seeking to contribute for the construction of the cultural and social memory of the former capital of the State of Goiás, the present study, in the fields of musicology and cultural history, allows the recreation of one of the possible narratives about the origins, activities and relationships established by the military wind bands with other musical ensembles and with the local society. These origins, activities and relationships are analyzed based on an interdisciplinary approach, following the principles given by the bakhtinian triadic categorization.