Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Almeida, Adriano Carlos de
 |
| Orientador(a): |
Magalhães, Sônia Maria de
|
| Banca de defesa: |
Magalhães, Sônia Maria de,
Borges, Maria Eliza,
Pereira, Robson Mendonça |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
|
| Departamento: |
Faculdade de História - FH (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/9368
|
Resumo: |
Realizing the way Goiânia, during its growth phase in the 1950s and 1960s, was observed by the photographical records of Hélio de Oliveira, from Buriti Alegre in the state of Goiás (Brazil), born in 1929, was the goal of this work. We look, however, to identify how Oliveira, as a social subject, shows the city elaborating representations through photographic images, describing the "reality" of the urbe in the proposed period. There is also the meaning of these photographies published in later times, which make us understand the polysemy status of the photographical artefacts. We understand the work of the photographer Hélio de Oliveira as a visible possibility to realize Goiânia, in which refers to its modernization, through two ways of existence: as direct message, objective, culturally consagrated by the origin of its applied technology and aparently without needs of decodification, and as a polysemic, dubious, refractor message of reality. |
