Detalhes bibliográficos
Ano de defesa: |
2024 |
Autor(a) principal: |
Sousa, Cristiano de Oliveira
 |
Orientador(a): |
Berardo, Rosa Maria
 |
Banca de defesa: |
Berardo, Rosa Maria,
Oliveira, Flavio Gomes de,
Champangnatte, Dostoiewski Mariatt de Oliveira |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
|
Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
Departamento: |
Faculdade de Artes Visuais - FAV (RMG)
|
País: |
Brasil
|
Palavras-chave em Português: |
|
Palavras-chave em Inglês: |
|
Área do conhecimento CNPq: |
|
Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13326
|
Resumo: |
The proposed research aims at conducting 10 interviews with transgender individuals in the Brazilian context, in order to identify, analyze, and document their reactions regarding the representations assigned to them within Brazilian cinema, as a historical reference. This study is characterized by an analytical approach to the creative process in artistic and visual culture spheres, specifically focusing on the LGBTI+ theme. For this purpose, a qualitative methodology was adopted, based on a personal historical perspective, rooted in knowledge and activism related to the LGBTI+ issue, and supported by the relevant national cinema history on the subject. The theoretical foundation draws from the contributions of Michel Foucault, Stuart Hall, and Judith Butler, whose propositions emphasize gender representation in visual culture. The core of this research is the construction of an audiovisual product that explores the interactions between theories addressing LGBTI+ issues, the narratives of the interviewees, and audiovisual languages, particularly focusing on the construction of contemporary cultural and cinematic imagery |