Preparação para a performance de Assobio a Jato de Heitor Villa-Lobos

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Aguiar, Natália Bueno de Oliveira lattes
Orientador(a): Raymundo, Sônia Marta Rodrigues lattes
Banca de defesa: Raymundo, Sônia Marta Rodrigues, Furtado, Luis Carlos Vasconcelos, Freire, Ricardo José Dourado
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/5386
Resumo: The final product presented consists of two complementary parts: PART A (Recitals) and PART B: (Scientific Article). The program of the first recital includes two works by Heitor Villa-Lobos (Bachianas Brasileiras nº 6 e Choros nº 2), two pieces for flute and piano (F. D. R. Kuhlau e E. Burton), a solo piece by C. Debussy and a work for flute and guitar (L. Liebermann). The recital program includes the work The Jet Whistle by Heitor Villa-Lobos, the piece discussed in the article, besides two works with piano accompaniment (J. S. Bach and F. Poulenc) and a solo piece by O. Lacerda. The article discusses the compositional and musical performance preparation aspects of The Jet Whistle for flute and cello by Heitor Villa-Lobos. The main goal was to discuss the general characteristics of the composition in order to elaborate a consistent interpretation of the work but also approaching the elaboration of the performance itself. The text is organized as follows: 1) bibliography revision relating the composer production and chamber music for flute; 2) discussion about general and instrumental technique required by the analyzed work and concepts involved in its musical interpretation. 3) Interpretative suggestions for the work and a performance preparation routine. Finally, considering The Jet Whistle a late composition in Villa-Lobos catalog, it contains synthesized characteristics of his production for flute yet preserving a very close affinity to his previous worksfor the instrument, therefore expanding the prospects for various interpretations of this work.