Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Silva, Roberta Machado
 |
| Orientador(a): |
Oliveira, Vânia Dolores Estevam de
|
| Banca de defesa: |
Oliveira, Vânia Dolores Estevam de,
Oliveira, Denivaldo Camargo de,
Wuo, Ana Elvira,
Santos, Nádia Maria Weber |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/12792
|
Resumo: |
This work analyzes the volunteers’ groups, under the light of cultural performances. These groups visit Goiânia’s hospitals; and appropriate to the clown figure. The work intention is to understand who is the figure of the clown, the trickster archetype and how they act in palhaperformance. It used the cartography methodology to identify the thorough attention variety who are the groups that act in Goiás’ hospitals. The first type of attention variety is polling (tracking). The second is the sensibility and subjectivity points (touch). Third is the concentration of attention (landing), it’s in-depth monitoring of groups. At last, the path followed by clowns (deep recognition). Thus, we see: the more visited places by volunteers’ clowns and which image is associated with the places. And I call they: pain places. We have for methodological cut three groups (Trupcando em Sonhos, Semeadores da Alegria e Condutores do Riso). I followed them up in hospital performances and I had an interview. The collective movement of volunteers’ groups brings new experiences to the area and different tensions and relationships. In addition, it institutes an unprecedented and original path for the contemporary clowns. |
