A preparação de atores na montagem de ‘Quatro Paredes’. Goiânia, Brasil (2003).

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Peixoto , Bruno Quirino lattes
Orientador(a): Camargo, Robson Corrêa de lattes
Banca de defesa: Camargo, Robson Corrêa de, Vicentini, Albertina, Mendonça, Maria Beatriz
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Performance Cultural (EMAC)
Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/7265
Resumo: This dissertation is due to is a due to thoughts about the process of the coaching of actors from the play Quatro Paredes, by Cia. Mínima in Goiânia, Goiás, Brasil, 2003. This theatrical production was constituted inspired by principles of acting coaching presented by Italian theater director Eugênio Barba (1936) in Brazil and is part of the reception of techniques developed by the director in our country. These work pursuits the systematization and thinking of the methodologies and exercises used in the preparation of actors of this theatrical production. Such analysis uses four conceptual filters for the comprehension of this process and present on the building of this play: ritual, flow, play and improvisation. The methodology used in this is investigated through exercises and procedures that were grounded on these conceptual filters. Through work diary, photos and memories the elements of four actors’ experiences are registered and analyzed during the preparation of the referred play: Ana Paula Carvalho, Bruno Peixoto, Mayarah Pinheiro e Pedro Vilela.