Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Peixoto, Jordana Dolores
 |
| Orientador(a): |
Silva, Renata de Lima
|
| Banca de defesa: |
Oliveira, Luciene Dias de,
Lima, Evani Tavares,
Silva, Renata de Lima |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/11241
|
Resumo: |
This master degree research had the intention to investigate and present reflections about the technical, poetical, symbolic, political, and conceptual contributions that Capoeira Angola may offer to scenic arts from a look to the concept of black performance, the “limial body” of the capoeira practitioner, the crossroad of the “roda de capoeira” and the performance of the ora-lity of masters as the basis that substantiate creating processes and the formation of narrating actors and actresses. For this purpose were taken as foundations Studies of performance, thea-trical studies, counter colonization studies. The methodology that guides this study is suppor-ted by the notions of poetnography and lived field and was accomplished by the following procedures: bibliographic review, field narrative, personal narrative, and analysis of the ar-twork “Dikeledi e as voltas que o mundo dá” developed by the Núcleo Histórias de Comadre. |
