Culturas de fronteiras: (auto)representações da juventude em cenários de violência urbana na cidade de Luziânia/GO

• Ano de defesa: 2023
• Autor(a) principal: Matutino, Aurisberg Leite
• Orientador(a): Guimarães, Leda Maria de Barros
• Banca de defesa: Guimarães, Leda Maria De Barros, Perotto, Lilian Ucker, Abreu, Carla Luzia de, Silva, José Carlos de Paiva e, Castro, Gardene Leão de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RMG)
• País: Brasil
• Palavras-chave em Português: Juventude; (Auto)representação; Violência urbana; Arte de resistência; Visualidades
• Palavras-chave em Inglês: Youth; (Self-)representation; Urban violence; Resistance art. Visuality; Visuality
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::GRAVURA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12747

This doctoral dissertation aims to problematize images of violence among youth that have been manufactured in contemporary society by opposing them—in different analytical layers, interdependent on each other—to several other images that help researchers to perceive a counter-image formed from a series of visualities produced by the young people of the city of Luziânia, Goiás. This counter-visuality is presented in this work, layer by layer, according to the experiences and cultural practices of these participant youth with whom I had the opportunity to be in touch throughout the doctoral research. The goal of this proposal is to think over forms of representation and self-representation triggered by black and poor youth in scenarios of urban violence, redirecting the gaze to their own ways of participation and resistance. The methodological approaches used in this work are snowball sampling (a technique used in certain types of qualitative research where personal networks and “mouth to mouth” references are created to catch up with the participants) and cartography, which ended up shaping a layer-based format, less “motionless,” rather than a structure based on chapters. The opportunity to listen to the young subjects who participated in this research especially incites us to question prevailing discourses on “young people from the unprivileged areas,” the black and impoverished people, as “delinquents” and “criminals,” contributing to bring out other perspectives on how contemporary youth that live in areas of urban violence can deconstruct stigmas and rebuild their own images.