Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Gomes, Cristiano Vinicius de Oliveira
 |
| Orientador(a): |
Bittencourt, Libertad Borges
|
| Banca de defesa: |
Bittencourt, Libertad Borges,
Cantinho, Maria João,
Matos, Maria Izilda Santos de,
Alencar, Maria Amélia Garcia de,
Arrais, Cristiano Pereira Alencar |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Historia (FH)
|
| Departamento: |
Faculdade de História - FH (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/3445
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Resumo: |
The 1980s in Brazil was made of scenery that depicted a wide opening of a reality that was not limited only to the political issue, but created many realities able to rebuild the historiography productions. Thus, a new field of possibilities grew, rebuilding the historiography production by creating many objects, with new uses, until then neglected by the academic research. Working with music words, as a form to create ways to build the cultural identity, means to emphasizes the emergency of this methodological redefinition and realize the compound objects in creating new perspectives about the research to which it is designed. Taking this into account, the study about identity gains the dimension of realizing in Renato Russo’s songs evidences of an identity construction which was not seen yet, giving the subjects many meanings by their own fragmentation. |
