Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Oliveira, Caroline Anielle Souza Batista Pires de
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| Orientador(a): |
Nogueira, Lisandro Magalhães
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| Banca de defesa: |
Nogueira, Lisandro Magalhães,
Souza, Agostinho Potenciano de,
Christino, Daniel |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Comunicação (FIC)
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| Departamento: |
Faculdade de Informação e Comunicação - FIC (RG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/3317
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Resumo: |
This paper proposes the questioning and appropriation of the concept of imagination melodramatic , coined by Peter Brooks (1995 ) , in cinema. We apply the method of film analysis in the film Women on the Verge of a Nervous Breakdown (1988 ) by filmmaker Pedro Almodovar . We chose to dedicate ourselves to the analysis of a film that departs in some respects from the classical structure of cinema, just to understand, with more depth , strength and inexhaustible vitality of the melodramatic imagination . In this process , it is necessary to recover the historical birth of melodrama and its recurrence in the theater so we can understand more clearly the breadth and scope of the concept . Question the concept of melodrama as a genre and work with the hypothesis of a melodramatic imagination before being impregnated in various theatrical and film productions , is built mainly by the look that the public launches on the work . The melodrama , or rather this imagination , thus , would be a lens through which the modern individual would structure and accelerated relatively solidly values appease him, at least superficially . |
