Detalhes bibliográficos
Ano de defesa: |
2013 |
Autor(a) principal: |
Freitas Jr, Edson Ferreira de
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Monteiro, Rosana Horio
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
Monteiro, Rosana Horio,
Mello, Maria Teresa Villela Bandeira de,
Martins, Raimundo,
Braz, Camilo Albuquerque de,
Silva, Thiago Fernando Sant'Anna e |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
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Departamento: |
Faculdade de Artes Visuais - FAV (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/3135
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Resumo: |
In “Regarding the Pain of Others”: the concept of document in forensic photography I propose to discuss the status of photography as a mirror of the real, investigating in particular the case of forensic photography (also known as criminal photograph, evidence photography or expert photography), the ones that are produced in the context of the judiciary with the purpose of assisting in the construction of criminal evidence. From my professional experience as a photographer of the Scientific Police of the State of Goias and working with crime scenes photographs produced by me, taken during a 24 hours journey, discussing photography‘s legitimizing by science, supported mainly by its character likelihood, and incorporating the concept of photo-document proposed by Andre Rouille (2009) I analyze the relations between the photographer and the criminal scenes, questioning the constant exposure of mutilated bodies scenes in their daily work. |