Detalhes bibliográficos
| Ano de defesa: |
2022 |
| Autor(a) principal: |
Moraes, João Marcos Salgado de
 |
| Orientador(a): |
Gomes, Ivan Lima
|
| Banca de defesa: |
Gomes, Ivan Lima,
Cruvinel, Larissa Warzocha Fernandes,
Gonçalves, Roberta Ferreira |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
|
| Departamento: |
Faculdade de História - FH (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/12934
|
Resumo: |
Every literary work as it is read constitutes itself as a moving object. New readings, representations and discourses are taken from it, according to its temporal journey through different cultures. The Chronicles of Narnia is no exception and has been frequently explored by various areas of knowledge such as Philosophy and Modern Languages courses. However, the work still lacks historiographical works. For that matter, the present research aims to historically point out its author C. S. Lewis along with the discourses of this subject as well as understand in what context the work is built. Once this is done, it is important to understand what types of discourses are possible to identify through the reading of the work and how they connect to its historicity and its author. Finally, we aim to point out from the reception studies which references the author placed in the work so that it could be understood in a certain way and through the analysis of his letters to his fans, what impressions the readers of the 1950s and 1960s had of the work. |
