Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
Oliveira Junior, Homero Pereira de
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| Orientador(a): |
Hur, Domenico Unhg
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| Banca de defesa: |
Hur, Domenico Unhg,
Muylaert, Marília Aparecida,
Cassoli, Tiago |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Psicologia (FE)
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| Departamento: |
Faculdade de Educação - FE (RMG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/12784
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Resumo: |
The aim of the present research is to map the distinct movements of the body and discuss local, Brazilian corporealities that express insurgent processes. To investigate the possibilities of reinventing the body and its resistances, we discuss the multiplicity of Brazilian corporealities and their various manifestations. As a method, we elaborated a study of the body based on an eschizodramatic cartographic research, referenced in the works of Gilles Deleuze, Félix Guattari, and Gregorio Baremblitt, in which we articulate bibliographic research, cartography in the field, and musical artistic references. We found in the Mangue Movement a referential artistic plasma, a Brazilian popular schizoanalysis, which we sampled the albums Da Lama ao Caos (1994) and Afrociberdélia (1996), by Chico Science & Nação Zumbi, as a device for incorporating our discussion proposal. From a bibliographic crossing, we elaborated a gaze with a counter-colonial perspective that made visible singular Brazilian corporealities that express themselves as possible reinventions in times of neoliberalism/neocolonialism. In this way, we followed processes that involved the connection of the accessed bibliography, creating our cartographic plan of ascent and organization, our networks and links, in order to affirm its transdisciplinary, transversal, nomadic, connective, and intensive character. The results of our research point to a discussion of the body as movement - a clash of forces, frictions, in short, of electricity, with art and the production of subjectivity. We highlight the mangrove body as a baião, which rocks the movements and rhythms that compose it, in a kinetic mixture instrumentally turned and moved, with the multiple and connective reach of the mangrove. Such connectivity offers propagation lines that rock an anthropophagic relation of Brazilian corporeality, highlighting the geographies and localities that involve peculiarities in our historical process, taking references from popular artistic movements, placing the body and corporealities as crossroads vitality. The composition of crossroad forces relationships of the body can take an aesthetic, strong firmament: the insurgent-Exu body. |
