Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Gervásio, Eduardo Vieira
 |
| Orientador(a): |
Turchi, Maria Zaira
|
| Banca de defesa: |
Turchi, Maria Zaira,
Silva Júnior, Augusto Rodrigues da,
Santos, Dulce Oliveira Amarante dos,
Cánovas, Suzana Yolanda Lenhardt Machado,
Regino, Sueli Maria de Oliveira |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Letras e Linguística (FL)
|
| Departamento: |
Faculdade de Letras - FL (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/3388
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Resumo: |
This work investigates the myth of the earthly Paradise in Brazilian literature in two moments of Brazilian literature. On the one hand, we go through the travel literature and chronicles of the sixteenth and seventeenth centuries who built the image of Brazil as a terrestrial paradise, and secondly, we analyze the review and remitização this same myth revisited by novelist Ana Miranda in the late twentieth century. For this achievement are important theoretical work of Michel de Certeau, Hayden White that provide a study of the relationship between history and literature, since the corpus of work includes, on de one hand, accounts and chronic and, secondly, the historical narratives novelist. For the study of mythical and symbolic content present in the speeches of these authors are important theoretical contributions of Mircea Eliade, Joseph Campbell and Gilbert Durand. To study the myth of the earthly Paradise in the colonial period the authors Sergio Buarque de Holanda and Laura de Mello e Souza, references that support the theoretical discussion of the thesis were used. The task of literary criticism, the study is a contribution to understanding the critical fortune of travel literature and also of novelistic work of Ana Miranda. In the novels demonstrate the echo of ancient myths in his plost, using the mythical fable of the writer. We note that the narrative structures are compromised whit certain immutable and eternal principles that mediate the benchmark instances of the everyday and imaginary, mythological reprinting the prototypes into new configurations. This reprint Ana Miranda reflect on the paradisiacal landscape that suggests that this is just a mirage, which emerges most strongly denouncing a space before Hell than Heaven. The American Paradise, a constant in colonial tradition, it becomes a nightmare, at which Eden is remitized by the author, becoming a place to reverse this blissful garden. |
